Jasmine Guffond Berlin, Germany
Jasmine Guffond is focused on electronic composition across music & art contexts.
Jasmine Guffond recommends:
The Oystercatcher
by Cucina Povera & ELS
Unique mix of touching vocals and minimal electronics creates a one of a kind atmosphere.
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supported by 136 fans who also own “KM28 / 3rd September 2020”
an album that focuses on blasts and releases, patterns and less-so-pattern-y compositional moments. The movement from pattern-y rhythmic pulsing, even danceable? to rich, drone-y, expansive, even noisey? are idiosyncratic, natural and fun. Nothing ever builds up too much or lays too strong of a foundation, so stops and shifts are more than allowed and when a shift does occur there's a safety in knowing it will change soon. Amazingly recorded, great sounds.
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Groups: Articulations of the Real
by Marcin Pietruszewski
supported by 134 fans who also own “KM28 / 3rd September 2020”
A long haul of a listen building and decaying as compositional interest demands. The sound world feels completely open, sounds that, when placed next to each other would seem wildly opposed flow nicely into one another. Maximum psychoacoustic squeegee harmonics pile out into the ears.
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supported by 131 fans who also own “KM28 / 3rd September 2020”
come get lost in tactile, polytemporal worlds
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St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
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Seattle’s St Celfer returns with four more boundary-breaking electronic compositions sparked with sudden bursts of melody.
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